Films madeproperly.
Treatment-led, brief to delivery, across sport, podcasts, music, branded content and creative. Every project is quoted individually against what it actually needs.
Services offered
Sport
Race films, athlete profiles, event coverage and campaign content. I've shot in conditions that end most productions early — the kit, the crew size and the schedule are built around that from the start, not bolted on.
Podcasts
Multi-camera video podcasts, built as a repeatable system rather than a one-off shoot: locked angles, matched timecode, and a lighting setup marked out so any future episode can be shot without me in the room.
Music
Music videos and live sessions, concept to delivery. Performance pieces through to full narrative shoots, at budgets from self-funded independent releases up to label commissions.
Branded Content
Brand films, campaign content and social cutdowns for agencies and in-house teams. Made to sell something without looking like it — the same crew and the same eye as the rest of the work.
Creative
Original and commissioned short-form work, from idea through to delivery. Available for director-for-hire work on projects already in development.
Process
The same five stages on every project, whatever the budget.
- 01
Brief
You send the project and the constraints. I come back with an honest read on what it wants to be — and whether I am the right person for it.
- 02
Treatment
A written treatment: visual references, structure, locations, and a budget that reflects reality rather than optimism.
- 03
Shoot
Crew assembled to fit the job, not a fixed roster. Small enough to move fast, big enough to cover it properly.
- 04
Edit
First cut, two rounds of notes, then grade and sound. You see the film before anyone else does.
- 05
Delivery
Masters in every format you need — broadcast, YouTube, socials, vertical cutdowns — delivered to spec.
Questions
How much does a videographer cost in the UK?
It depends entirely on scope. A single-location shoot with one operator sits at the low end; a multi-day production with a full crew, travel and locations sits considerably higher. I quote every project individually against its treatment — tell me your budget and I will tell you honestly what is achievable within it.
How long does a film take to make?
Typically three to six weeks from brief to delivered master. Roughly one week for treatment and pre-production, one or two shoot days, and two to three weeks for edit, grade and sound. Faster is possible when a deadline demands it, but it costs more and narrows what is achievable.
Do you travel for shoots?
Yes. I work across the whole of the UK and travel is built into the quote as standard. A large share of the sport work is nowhere near a road, let alone a studio, and I have crew contacts in most major UK cities.
Do you shoot in bad weather and remote locations?
Routinely — it is most of the sport work. Kit is chosen for the conditions, the crew is sized to carry it, and the schedule assumes weather rather than hoping against it. If a day is genuinely unshootable I will say so before we book it, not after.
Do you work with independent artists and small brands?
Regularly. Some of the work I am proudest of was made on modest budgets. What matters is that the idea is strong — the budget determines the approach, not whether I take the project.
What do you need from me to quote a project?
What the film is for, your rough budget range, your target delivery date, and any references you already have. That is enough for me to come back with an approach and a realistic figure.